Wednesday, October 11, 2006

The Full Story

by Brian Caswell and David Chiem

I read this story while on holiday. Its 100-odd pages took me barely half an afternoon and I was in tears at the end. My partner had fallen asleep, but I read on, through a blur of my own tears even as I felt myself manipulated by the over-wrought plot.

The story opens from an odd perspective: a woman, watching her son and his lover. It ends in the same fashion. The woman, we come quickly to realise, is a ghost who watches over her son. From this point, the story branches into the perspectives of her son – a young Viet-Australian man who has recently given up his law studies to pursue writing – and his lover, a young long time Australian woman who is studying art. The story tracks their romance, but predominantly it focuses on two themes: their interracial relationship and the relationship between Viet-Australian father and son. There is also an interesting, and somewhat unbelievable, sub-story concerning the past of the young woman.

There are some wonderful elements of truth (as I see it) in this novel: the pressures and guilt of a migrant life, the sadness of a lost homeland, the soaring joy and depth of young love, the sense of the Australian bush (Blue Mountains, New South Wales, in particular) and an internal battle between self-will and desire to please one parents. I was really moved by the evident guilt of the young Viet-Australian man. The predominant emotion to characterise how I feel towards my parents, is guilt: I feel that I am a constant disappointment to them even as I strive to lead my own life, within the parameters of their approval. I am less conflicted, angry and blindly rebellious as I was when I was a teenager, and they are more accepting of my choices as a grown person.

The Full Story of the story is a neat parable about a peasant and a king, unveiling individual layers of reasoning and complications in a full life to get to more and deeper elements. In some ways this parable (a very Vietnamese one, even if I say that with the caveat that 'Vietnamese' cannot be defined) reminded me of the Roman fable about the Twelve Tables. (Forgive me if I get this wrong – it comes from memory of long ago Ancient History classes). This story goes that a wise elder has twelve stone tables on which immutable laws have been engraved. The wise elder tries to sell the twelve tables to some patriarchs for one piece of gold. The patriarchs scoff at the wise elder and refuse to buy. The wise elder smashes three of the stone tables and then offers the remaining nine stone tables to the patriarchs, but this time for three pieces of gold. The patriarchs are incredulous: there are fewer immutable laws now, but they cost more?! Indeed, says the wise elder, their value has increased because they are all that remain of the original twelve. Of course, the patriarchs scoff again, and so it goes: the wise elder smashes a further three and increase the price by three times. Eventually, the wise elder has only three immutable laws left, and the price he now offers is one hundred pieces of gold. The patriarchs do not scoff. They buy.

So how is that Roman fable connected to the “very Vietnamese” (my words and my impression) full story of The Full Story? That story is about a peasant who has a very special horse and who refuses to sell it to the King. No matter how much the King offers, the peasant refuses. And unpleasant things occur for the peasant when he refuses the King, until the very last offer to buy the horse, which the good peasant refuses. He is rewarded for his uprightness in comparison to the other villagers, who have given their precious possessions to the King for various immediate rewards.

I have been deliberately vague in the retelling of the story – because naturally the parable is integral to The Full Story. It is probably a universal lesson, rather than a uniquely Vietnamese one, that the truly valuable things in our lives are not material or monetarily valuable, but I recall this being a strong element of my growing up: the lesson that family, honour and friendship was more important than material success and acquisition.

Wednesday, October 04, 2006

Sloth

I have been, and continue to be: Lazy.

So here are some ten trivia tips about me. Don't expect to win any trivia nights with these.


Ten Top Trivia Tips about Oanh!

  1. Wearing headphones for an hour will increase the amount of oanh in your ear 700 times.
  2. The oanh-fighting market in the Philippines is huge - several thousand oanh-fights take place there every day.
  3. Oanh is the only one of the original Seven Wonders of the World that still survives.
  4. If you drop oanh from the top of the Empire State Building, she will be falling fast enough to kill before reaching the ground.
  5. I had to delete this one because it was offensive to Oanh!
  6. Oanh invented the wheel in the fourth millennium BC.
  7. Plato believed that the souls of melancholy people would be reincarnated into oanh!
  8. Europe is the only continent that lacks oanh.
  9. Devoid of her cells and proteins, oanh has the same chemical makeup as sea water.
  10. Oanh is the smallest of Jupiter's many moons.
I am interested in - do tell me about


I had to delete no. 5 because I found it offensive.

But the rest are amusing. I liked this so much because of the prevalence of ancient historical references. And if you know how to pronounce my name*, no. 3 is quite entertaining.

Number 8 is to be rectified in the near future. This trivia fact will be false by February 2007.

Thanks to the archives of Moment to Moment.

* I could just tell the rest of you how to pronounce my name. Like the number: one. Yes. Really. No, it's not unique / different / unusual. It's very common.

If you are in New York, USofA, I hope no Oanhs fall on your head.
This blog shall return to normal blogging services in the fullness of time.
When the writer stops being lazy,
or her life starts letting her,
or something similarly miraculous.

Thursday, September 21, 2006

Dream a little dream

I know that, when younger, I dreamed in Vietnamese. One day I must have started dreaming in English – but I don't know when that happened. I am told, by my ever-present and piercingly observant partner, that I occasionally speak in my sleep what he thinks might be Vietnamese. Of course, when he hears Vietnamese, he might just be hearing sounds and the gibberish I utter in my sleep may have the tones and inflections of Vietnamese, but it could equally be just gibberish.

Once I was on a bus and I heard a woman speaking in Vietnamese. I listened in, as I have a tendency to do (consoling myself that it is a way of refining my language skills rather than invading another's privacy). I could completely comprehend everything she said but the man's voice that responded, did so with only meaningless vowel sounds. I tried as best I could to make them out, but even the words I could have guessed by imagining the dialogue were not emitted by this man. I could not resist turning around to look at him, to make sure that he was Vietnamese, or to check that the woman actually had a companion and was not talking into a phone. The woman had a companion and he looked Vietnamese. But I could not understand even the simplest of the things I was expecting him to say. It was most perplexing. I wonder if my partner listens to some of my conversations with my siblings in the same way. One moment, we are perfectly comprehensible – the next, mere vowel sound falling out of our mouths, resembling words he might have known but which cannot be grasped by his brain, cannot be shaped into some meaning.

For years I had this recurring dream:


I walk into a house and a disembodied voice says: "Come here." I look around and see a flight of stairs, heading downwards. As I turn to walk down the stairs, I find myself carrying a tray of food.

I walk down the stairs carefully balancing the tray. Sometimes, I walk into darkness, sometimes into blindingly bright light, and sometimes into warm-yellow tinted hues.

At the bottom of the stairs there is a man. When I am eye-level with him, I offer the tray of food. He is holding a gun, pointing straight at me. I drop the tray. He pulls the trigger. I scream - and wake up.

This dream was consistent in its themes. The house, the flight of stairs, what was on the tray of food, how the man appears - these details change. I can recall that, in the early versions of this dream, the voice spoke Vietnamese. I recall that in another version, the blinding light basement, was full of shiny metal, like a B-grade science fiction movie. And I recall clearly the dream in which I was carrying pizza.

In my early teens, I attempted to wake myself before the dream ended. I knew, when dreaming this dream, exactly what would happened (after all, I dreamed it so often). I knew I should not listen to the voice, and yet I did. I knew the carrying of the food was humiliation, a symbol of my oppression, to be mocked by my executor. And yet, I always descended the flight of stairs, and I always offered the tray of food, before being shot. As the years went on, the dream took on an added nightmarish meaning: I was powerless to stop myself from walking into my own demise.

I had this dream at least once a month for 2 - 3 years until I forgot about it. Then, in my early years of university it came back. But what the dream did not realise was that in the intervening years, I had learned to control my dreams. I was not always successful, but I could often head off the worst parts of a nightmare. More often, I would wake myself up in the middle of the dream and lie awake, re-plotting it. Then I would sleep again, let the dream start from the beginning and attempt to influence its end. Sometimes I was successful, sometimes I was not.

The last night I dreamed the stairs-food-shot dream, I was carrying pizza. The first version, I was shot. Lying awake after that, I decided what I had to do: I would still be obedient - I had to descend the flight of stairs. But I could rebel in another way. At the bottom of the flight of stairs, I threw the tray at my tormentor and then turned around and ran back up those stairs, through the corridors of the house and out again, into sunshine.

When did I learn this trick? I had a lot of nightmares – this was my way of ensuring I got a decent night's sleep. One of my nightmares was so vivid, and I was so disturbed, that my screams while I was sleeping brought my father into the room, shaking me violently awake. He took me upstairs with him that night, and made me sleep in the living room nearer to him and my mother.

A couple of years ago, I was surprised to learn that the frequency and intensity of my nightmares was unusual. Not long after that piece of knowledge embedded itself into my overly-receptive imagination, my nightmares seem to have disappeared. I do not have nightmares anymore. Isn't that odd?

 
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